Here it is, the first trailer for 'Superbob' the movie.
Having been on the festival circuit for some time now and doing very well in terms of awards, winning best film at the LOCO festival and being well received at many others, it'll be worth a watch.
Being one of the only crew members to have not actually seen it yet, many of my colleagues are saying its a lovely film.
Not sure of its actual release but it's sure be soon especially with summer round the corner. So if you've seen all the other blockbusters and are wondering what to watch next, go and see this as it will definitely make you laugh. It certainly did when we were making it.
Having just been to the BSC show and without a hint of this new addition to Arri's arsenal being leaked, the Alexa Mini gets announced.
A light weight, more compact but fully spec'd Alexa will no doubt have Cinematographers, Steadicam operators and obviously Ronin and Movi owners thinking their prayers have been answered, and I can see this being very popular if you can get your hands on one, as I'd imagine the demand to be very high amongst the gimbal operators.
Anyway, I'm very excited however I wish it had wireless HDSDI built in, then it think it would be perfect.
Check it out here
So I just found out a short that I co-shot about illegal underground fighting won best cinematography at Noida International Film Festival.......
Here is a little still from the film under my lighting and under that, the accolade card.
Being a Brixtonite myself and having met Maxi Jazzy in my local I certainly felt part of the community to shoot this little promo for Faithless recently, a Brixton based band if you didn't already know.....
It's had over 600 thousand views on Facebook so I think it turned out well, take a look below.....
So I managed to get down to Pinewood Studios for the annual BSC expo which showcases the newest and latest cutting edge film making equipment ranging from cameras, lighting and new grip kit along with many seminars by some of the great cinematographers working today.
It was great to bump into so many familiar faces, form new professional relationships and also to kickstart some old collaborations.
There certainly is something for everyone at the BSC Expo and for me some of the LED lighting solutions on offer now are truely unique albeit still a little pricey. Lite Panel have some new products namely their new 1x1 panel which boasts more power with better asthetics, although I'm not sure that is relevant in a functional device. On par with that was a similar product by TheLight called Velvet which had all the spec of the new Lite Panel model but was fully waterproof and if I was to purchase a lighting kit then this is the one I'd choose.
One of the cameras that caught my attention was Panasonic's new Varicam. With its modular design, snap of controls and dual ISO amongst its strengths, this camera is something special and was causing a stir. It also has great colour management that had some DIT's I know boasting, high speed up to 120fps at 4k without extra licensing, dual record to SD and or P2 cards in 4k and 2k including proxy's, all this and much more for a price a little over 15k. I'm raring to get my hands on this for the right project in the near future.
On the Steadicam front, Tiffen where showing off their new modular rig called the M1, which if you were thinking of not going for a Pro sled then this would be your second option and at an affordable price.
As I'm not shopping for a new steadicam rig just yet, the thing that floated my boat was a product made by Inovativ and these guys make awesome magliners or carts we now like to call them. They have a range of options but the one I was after was the Scout 37 and this little beauty packs down quickly and neatly into a small thin manageable piece of luggage and would fit into the back of any small car easily, no more lugging around a really heavy and awkward Magliner.
These products were my favourites over the two days and for me what I was interested in, but I know everybody has there own thoughts.
Before I sign off on this one I though I'd leave you with these pictures of something I found really cool. As I'm a massive Star Wars fan it was a real delight to bump into the Panavision stand where they had the Millenuim Falcon.......no not that one but the name of the film camera used to shoot the new addition to the saga, The Force Awakens. Check it out below....
So they finally arrived, the custom DJI Ronin arm extensions.
This means any camera, anytime anywhere but within the payload limit.
The extra aft movement enables more camera and lens combinations along with any light weight matte box and desired filtration.
Red Epic is now even more able without the need for niche custom batteries.
This is big news so head over to Ronin Operator for the latest hire options.
Just came across this little fashion film I shot for Hunger Tv and Rankin.....
Never thought I'd ever see it but it was pointed out to me by a colleague so had to share.
It was a bonkers day as the focus puller and I had no clue what was going on.
An Alexa, some anamorphics and a model.....think it turned out ok and I love the dress....
Here is the new trailer for the Woman in Black sequel, looks quite good and possibly better than the original.
Shot by George Steel from Peaky Blinders fame and I was lucky enough to shoot the films opening Steadicam shots.
I'd worked with George many years ago so it was nice to collaborate again after all this time.
Hits the silver screen in January.....So go check it out if you fancy a new year scare!
So here is an interesting article.
Ever gone round a friends house and watched a film only to think to yourself, something ain't right here.
On many occasion have I reached for the remote control to put these people out of my misery only to be praised by their reaction of 'Oh my God, that's so much better'
The reason, 'Smooth Motion'
There are however some people that have no idea and have been watching quality movies with this setting firmly on with no way to turn it off. I feel so sorry for them but they often have no idea and still enjoyed the film regardless.
I've found that it's only really us as image makers that really care, or even notice, and thats why we should take note of this petition to get this hideous television setting eradicated from existence or at least be an option.
This is an excerpt from the literature below but click on the link for the full article and sign yourselves up.
“Stop motion interpolation!” is the call on a Change.org petition urging TV manufacturers to disable the default “smooth motion” setting on new televisions. As the petition explains, “Motion Interpolation was an effect that was created to reduce motion blur on HDTVs but a very unfortunate side effect of using this function is that is takes something shot at 24 fps or shot on film and makes it look like it was shot on video at 60i. In short, it takes the cinematic look out of any image and makes it look like soap opera shot on a cheap video camera.” Below, in a guest editorial, cinematographer Reed Morano (Frozen River, The Skeleton Twins, Shut Up and Play the Hits) explains why this issue should be important to all film lovers.
This is the only still from a one take music video we just completed for the artist Shakka.
We shot the video down in Brighton at the Saltdean cliffs around magic hour having choreographed and blocked the shot all day.
With multiple cues, costume changes mid take and camera hand offs, it was a recipe for disaster however we managed to pull off 3 good takes having shot almost 8.
I now think shooting steadicam is a luxury as holding a Ronin rig and camera for almost 4 minutes is extremely difficult and after take 2 lactic acid builds up in your arms making the rig almost impossible to raise up. I won't be supprised if I don't have huge shoulders before long or I'm finding it difficult to get though doorways.
One things for sure, I'll certainly be packing cans of spinach on the next shoot.....
I've forgotten how rubbish night shoots are. Luckily I didn't have to carry anything except my sanity as I hung off the back of this tracking vehicle all night shooting a mini commercial for a high visibility vest for Caviar.
No matter how safe you know you are being strapped in, there's always a little bit of doubt to make you soil yourself especially as the driver hears 'WRAP' and burns off to unit base forgetting I'm holding the rig.
Docklands have some fast and smooth roads at 5am until you hit a speed bump!
So I was officially sworn in to The GBCT last week and I'm obviously very happy to be apart of a group of highly trained film and tv technicians and to be acknowledged for that skill.
Many thanks to those that gave me a glowing reference........
For those that don't know what the Guild is about then continue reading...
The GBCT has been in existence for almost 40 years so it’s important we tell you a little bit about us! .
Very simply, the GBCT is not a union but a not-for-profit professional organisation of knowledgeable, qualified and craft trained camera technicians dedicated to upholding quality and standards in the film, television and related media industries. We care about cinematography and are committed to maintaining its quality. What better way to say this than through our motto:
The Care, Commitment and Quality of Cinematography
- Through Progress and Innovation -
So if you want to know more about what else the Guild does, including thier training and services, then click here
So when I got the call to Steadicam for this I immediately knew who production were talking about, 'You know, those kids rapping about anti-bullying'.
However, the serious message of the song was met with a serious camera package. An Arri Alexa was to be expected but what I hadn't banked on was how big and heavy the new Cooke S5i's were. That on top of the usual accessories that are insisted be on the rig by the 1st AC, not to mention a production Matte box from the stone age that was forged from cast iron.
The Steadicam rig turned out to be a monster and almost bottomed out my arm, together with shooting inside on the hottest day of the year and having to wear somebody else's skin tight black hoody as we were shooting against glass for the first shot, really set me up for a sticky day.
Im sure all steadicam operators are hearing this a lot these days, 'We want it to be like a dolly shot', today was no different. The day was packed full of shots with not enough time to actually shoot them. As the steadicam rig was so heavy it help maintain level horizons, especially as half the shots were at that limbo height between high and low mode which is where I was flying the camera most of the day as one of the kids was about 4ft tall and sitting down. Ouch!!
Not sure I've hydrated from his yet but as they are on SYCO record label I'm sure they'll become a big success which will hopefully filter down to the guys that make them look good.
Check out the promo below and if you war to see me cameoing in their making of video, click here
So I had the pleasure of meeting a Pussycat Doll a few weeks ago and it was all mine as she's such a nice girl.
The promo for Ash, as she likes to be known, turned out ok and it was certainly a novelty to shoot a studio based video as I usually find it's a location affair these days.
Once again I enjoyed working with Aaron Reid and a lot of old faces on set. Thankfully we shot on a very light weight Red Dragon with some old Cooke S2's beauty lenses this time which makes a change in trying to fly a steadicam around with a fully loaded Alexa and the new Cooke S5i lenses all day which I had the misfortune of doing recently, ouch!
I think we created some nice imagery during the shoot partly because we implemented the use of some cutting edge lighting behind camera but I'll leave the decision up to you.
See the crew reviewing the footage of this lovely little Steadicam moment on a glorious day. Then see the behind the scenes of how this simple but effective shot for a Kindle commercial was created.
I came across this and thought I just had to put it up what with me having a cameo and all.
It just goes to show, I had absolutely no idea any of this was being filmed, obviously because I was so busy (see previous post) however they have put together a nice little film of what goes on between artist and director and the vision that needs to be portrayed.